Poitier’s acceptance speech was brief. He said: “Because it is a long journey to this moment I am naturally indebted to countless numbers of people.”

He nodded to the journey. He acknowledged the debt. He didn’t elaborate, didn’t enumerate, didn’t make the moment into something larger than the room could hold. He thanked his team. He walked back to his seat.

The speech was the man. Poitier had always been, by multiple accounts, someone who understood the weight of what he was doing without needing to announce it in every sentence. The acknowledgment was there. The gratitude was real. The ceremony moved on.

What he had done was this: he had become the first Black man to win a competitive Academy Award for Best Actor.

The context requires some care. Hattie McDaniel had won for Best Supporting Actress in 1940, for her role as Mammy in Gone with the Wind — a film made in 1939. McDaniel was the first Black person to win any Academy Award. Her win was its own historic moment, and it was also one that she won in a role that many Black critics, then and since, have described as a painful embodiment of racist stereotype. She was not permitted to sit with her castmates at the segregated Cocoanut Grove where the ceremony was held; she sat at a separate table with her escort at the back of the room.

James Baskett received an honorary Oscar — not a competitive award — for his performance in Song of the South.

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