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FINAL RECKONING: THE NIGHT THAT BECAME A STORY
The 35th Academy Awards took place on April 8, 1963, in Santa Monica, California. Frank Sinatra hosted. *Lawrence of Arabia* won Best Picture. Gregory Peck accepted the Best Actor award for *To Kill a Mockingbird*. Patty Duke, sixteen years old, became the youngest competitive winner in Academy history. Anne Bancroft won Best Actress for *The Miracle Worker* and was not in the building.
Joan Crawford accepted the award on Bancroft’s behalf. She was not nominated. She had made no winning film that year in the Best Actress category. She was a proxy—a stand-in, a courier—performing a function that the Academy’s ceremonies had always provided for and that she had arranged to provide in advance.
In the auditorium, Bette Davis watched. She had been nominated for a performance that critics and audiences had recognized as major work. She did not win. She believed, for the rest of her life, that she understood why.
The belief was real. Whether it accurately described the events of the awards season is not something the documentary record can confirm.
What is documented, and what deserves to be held alongside everything else:
Anne Bancroft’s performance in *The Miracle Worker* was outstanding, and her award was her own.
Bette Davis’s performance in *What Ever Happened to Baby Jane?* was outstanding, and her nomination was its own recognition.
Joan Crawford’s performance in *What Ever Happened to Baby Jane?* was her own substantial work, and the Academy’s decision not to nominate her for it was one outcome among the several possible outcomes of the nomination process.
