What makes the photographs worth returning to, across fifty-three years, is that they are documents of the gap itself — evidence that a family created, sustained, and apparently genuinely inhabited an arrangement that was as remarkable as the photographs show it to be. The lion was there. Neil was his name. He weighed four hundred pounds. The house was in Sherman Oaks. The year was 1971. And the woman who arranged for his presence there, whose teenage daughter shared a bed with him, who went on to film the most dangerous production in Hollywood history and build the sanctuary that houses his successors, looked at these photographs decades later and told us exactly what they showed and exactly what they missed.
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